Abstract：‘Region’is the origin of Folk Art’s protection, local entities’ direct involvement and voluntarily protect is needed in the practice of Folk Art’s research and administration. This is the key factor of Folk Art’s inheritance, protection and exploitation. This article takes ‘Temmoku Kiln’ in Linan, Zhejiang as an example, through exploring its firing and using trajectory, propagation and communication, culture and religious connotation to study the countermeasures of ‘Temmoku Kiln’s protection and exploitation, and find the reference path for Folk Art’s development and traditional industry’s exploitation in other regions of Zhejiang Province.
胡晓东. 浙江民艺的保护与活化——以临安“天目窑”为例[J]. 浙江工商大学学报, 2016, (1): 45-49.
HU Xiaodong. Countermeasures Study of Folk Art's Protection andActivation in Zhejiang Province——Take ‘Temmoku Kiln’ in Linan as an example. Journal of Zhejing Gongshang University, 2016, (1): 45-49.
2016, Vol. 
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