In the transitional period between Ming Dynasty and Qing Dynasty (1608-1681), Blue and white porcelain art had never stagnated or declined because of the cease of imperial kilns or the war. Instead, it had experienced unprecedented prosperity and displayed distinctive features and style of the era which was known as “The Transition Period “by ceramic scholars. Due to the development of commodity economy in late Ming Dynasty, liberation of thought and technological advancement, as well as the integration and interaction between imperial kilns and folk kilns, Chinese porcelain art in “The Transition Period” showed most valuable innovation and development in many aspects as compositional style, modeling techniques, decoration painting, aesthetic ideas and so on.